Although hackneyed and turned into a caricature of themselves because a popular over-exploitation, The Cure is a band that has always been with me from a very young age when I watched their videos on MTV in amazement and terror. They always will be in my top 5.

Robert Smith‘s creative incontinence spreads throughout an extensive discography full of capital songs, as well as a great collection of rarities and B-sides (many times better than the singles) including this absolute masterpiece written for The Crow film.

Furthermore, this band was the starting point in my foray into postpunk, one of my fetish genres, through which I discovered new favorites like The Chameleons, The Sound or The Comsat Angels.

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