News

SNAPCASE

Back to 1997…what a great year for hardcore: Hatebreed‘s “Satisfaction is the Death of Desire“, Strife‘s “In This Defiance” and Snapcase‘s “Progression Through Unlearning“, where they took Helmet‘s sound (and snare ping) to a new level, recording a masterpiece from…

LAMB OF GOD

I’ve never been a Lamb of God or Chris Adler fan, but this song is funny to play and this was supposed to be a collaboration video with a student for my “VS” series, but he never recorded his part…

GHOST NOTES & RUDIMENTS

This song popped out randomly while I was driving last fall across Schwarzwald in southwest Germany and I was instantly haunted by its vibe and especially the drums: all those ghost notes and rudiments beautifully arranged and used in a…

HALLOWEEN

Clowncore is the best thing that has happened to music lately and I needed to worship this crazy duo with a special Halloween cover. It’s been a HELL (with no TOILET at all) to play these songs, but we all…

SNOT

I wanted to dust off my old piccolo snare, so I chose this frantic Snot track to let it shine with this sixteenth-note salad seasoned with accents, ghost notes, drags and flams. Drum wise is tastily crafted with also awesome…

MESHUGGAH…AGAIN

I’ve been working on this song for more than a year and finally I’m very happy to show the result to the Meshuggah fan community, as it is the first full drum cover on the internet (at this moment). It’s been a…

KILLING JOKE

Since Geordie Walker passed away last year I’ve been wanting to pay tribute to Killing Joke, a crucial band for me. There are no other bands sounding like Killing Joke, and part of that is because Geordie’s guitar playing, his…

CHAT PILE

Chat Pile‘s “Cool World” was my favorite album from 2024, so I wanted to worship it by playing my favourite song, which makes me feel like a Brachiousaurus moving slowly with no mercy playing those monolithic rhythms accompanied with that…

RUDIMENTS AROUND THE WORLD

I started playing Charley Wilcoxon solos during the pandemic lockdown, recording them at home as there was no other option. When the virus subsided and we started to come out of the burrows, I was able to record more solos…

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